★★★★★ · 3 years ago
Excellent place. Good service and a great hall. We went to see Salute to Vienna and it was incredible, Strauss II and Waltz just great
Walt Disney Concert Hall · Schedule
Experience the Los Angeles Philharmonic performing Strauss at the iconic Walt Disney Concert Hall.
Johann Strauss II, known as the 'Waltz King,' was an Austrian composer famous for his light music, particularly waltzes and operettas.
On January 8, 2027, the Los Angeles Philharmonic will present a performance featuring the works of composer Richard Strauss.
The Walt Disney Concert Hall, designed by Frank Gehry, is renowned for its stunning architecture and world-class sound. Attendees are encouraged to arrive early to fully appreciate the venue and find their seats comfortably.
On the bill: Los Angeles Philharmonic, Strauss
Full seating guide
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Walt Disney Concert Hall offers various parking options for visitors. Choose the most convenient method to ensure a smooth arrival for your concert experience.
111 South Grand Avenue, Los Angeles, CA 90012
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★★★★★ · 3 years ago
Excellent place. Good service and a great hall. We went to see Salute to Vienna and it was incredible, Strauss II and Waltz just great
★★★★ · a year ago
My experience of Gershwin & Strauss/director Teddy Abrams at Walt Disney Concert Hall. Amazing performance and acoustics. The standing ovations reflected such enjoyment of such a skilled performance. One can appreciate the orchestra, directing, and arrangement of all instruments, which were all heard. This live presentation hits your soul like no speaker system can emulate. But, in contrast, the piano could have used a bit of a microphone boost (that would ruin the function of the room, right?) especially when Jean-Yves Thibaudet did his amazing solo -- it just seemed distant from where I sat. Perhaps the seating location might play a part. And speaking of seating; It started off okay but after sitting and attentively watching in a forced erect posture, you don't realize the discomfort until you are about 30 minutes into the performance with intermission a distant 17 minutes away - yes, I started counting the minutes at this point. Now this was a seat in the Front Terrace Row H/Seat 158. Suddenly, my legs were asleep and the polite mindset that involved angling my legs so that my knees would not connect with the person in front of me. The goal was achieved but I'm now sitting on an angle as if wearing a skirt. I struggled and enjoyed at the same time while anticipating intermission as a means to stretch my legs. I will need to do this again and upgrade my seat to a different area to maybe get a better comfort/soundwise perspective.